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"Peppermint Pixie Dream Girl" Turns 1950s Nostalgia Into Queer Rebellion

  • Writer: Rua Fay
    Rua Fay
  • Jul 24
  • 3 min read

Cinema has been a part of queer culture since pictures first began to move. Over the past few decades audiences have witnessed queer stories evolve from being the butt of the joke to taking up the spotlight. Now more than ever, stories of gay and transgender people matter in the American cinema landscape, and there are no shortage of brilliant projects to choose from. One new independent short attempts to showcase a seldom-seen point of view: a trans lesbian story told by a trans lesbian filmmaker.

Premiering on August 21st in Hollywood, Peppermint Pixie Dream Girl is a dream-like period short by post-feminist director, Kylie Mungenast, being her fifth short since 2021, most of which have centered around the trans experience to some extent. The film follows transgender waitress, Shirley who finds all of her wildest fantasies come to life in the form of titular pin-up girl, Dorothy. After being accosted by transphobic grifters during a late diner shift, Shirley must survive the night if she wants any hope of landing her Peppermint Pixie Dream Girl.

Films centering around the 1950's are a dime a dozen, what isn't however are queer stories set in the 50's. It's like trying to find a needle in a haystack. A common sentiment held by conservatives in the present day is that there are "more queer people than ever" but the truth is they have always existed, but they had to be covert, hiding in the shadows, eager to let their true selves be known. By setting an unapologetically queer story in a time known for its conservatism, Mungenast and company create a story that makes the audience feel like they're in on a sexy little secret. Americans find ourselves in a time of contentious anti-intellectualism and the return of reactionary politics that target queer people, most of all the trans community. This is what makes films like Peppermint Pixie Dream Girl more important than ever and it is imperative that they are told by the queer people they represent. While other projects, most recently Heated Rivalry have created a space for gay men to tell their stories, media that highlights lesbians is far more rare. Mungenast and company are trying to change that.

In the briefest way possible, Kylie Mungenast's Peppermint Pixie Dream Girl feels like if John Waters directed Rebel Without A Cause. A spirited new short that wears its influences on its sleave, similar to 2025's Fucktoys by Annapurna Sriram. A surefire hit for fans of retro-futurism.

There is a palpable chemistry between actors, Zoey Luna and Abby Langh. Halfway through the film audiences will encounter a deliciously infuriating twist that completely changes the dynamic between the two. Without spoiling it, I am sure it's an all-too-common plight that lesbians throughout the ages have encountered. Special props are in order for set decorator, Shaelan Walker for her ability to make Shirley's diner seem purely ripped from a time long ago.

Unfortunately, there is a poem-reading scene halfway through that in my opinion, completely destroys the story's momentum despite being well-written. A good portion of the film is taken up by a drive-in date scene reminiscent of Grease but with a gay twist. Anyone familiar with writing tropes will appreciate Peppermint Pixie Dream Girl's take on the infamous "Manic Pixie Dream Girl," a cliché that has been practiced countless times but rarely by female directors. It is fascinating to see a queer woman's take on this at-times exasperating trope.

Overall, Peppermint Pixie Dream Girl is a daring, unapologetically queer film in a time where we need that most. It premieres on August 21st at the Marilyn Monroe Theatre in West Hollywood.

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